Charles Mudede—who writes about film, books, music, and his life in Rhodesia, Zimbabwe, the USA, and the UK for The Stranger—was born near a steel plant in Kwe Kwe, Zimbabwe. He has no memory of this birth, but he does remember noticing himself in the mirror for this first time—it happened on May 3, 1972. Mudede is also a filmmaker: Two of his films, Police Beat and Zoo, premiered at Sundance, and Zoo was screened at Cannes. Mudede has written for the New York Times, Cinema Scope, Ars Electronica, C Theory, and academic journals. He also wrote the liner notes for Best of Del Tha Funkee Homosapien: Elektra Years. Mudede has lived in Seattle since 1989.
One can break down Seattle hip-hop into four main movements. The first begins in the early ’80s and concludes in 1993, following Sir Mix-a-Lot’s apotheosis and subsequent canonization in hip-hop. The second is between 1994 and 2004, and coincides with the gentrification of the Central District (a transition best captured by Central Intelligence’s 2001’s “Real Estate”). (More…)
