Bruno Schulz was a genius. He invented his own language and sensibility. His narrative style and its fantastic voice create a complex reality, much like the piled-high small shops he describes. Schulz has been mislabeled ‘the Polish Kafka,’ a mistake because Franz Kafka had a far more specific social vision that addressed relations between citizen and state. For Schulz, the subjects were self, family, neighbors and the cityscape surrounding them all. His best-known work, The Street of Crocodiles, repeatedly articulates a sense of foreboding. (More…)
